In framework: For numerous, myself included, Rogue One: A Star Wars Story had been ideal canonical SW movie considering that the trilogy that is original. It was so well received that the writers had framed out a sequel, but it never went into production. It was probably for the best, though.
Rogue One: A Star Wars Story debuted in theaters on December 16, 2016. It quickly broke a billion dollars at the box office, officially making it a blockbuster hit. It should be no surprise since fans and critics liked Rogue One better than the prequel trilogy released more than 10 years earlier.
Part of what made Rogue One so great is that it didn’t have the stereotypical Hollywood ending. It didn’t come to a happy little feel-good conclusion, at least not for the Rogue One crew, but that was a thing that is good. The heroes did not reach stoop to get medals from Princess Leia because — spoiler alert — all of them passed away.
Their sacrifice tied up straight into the start of Star Wars Episode IV: A New Hope and Leia’s message to*)-(* that is( being “our only hope,” as Vader and his Stormtroopers boarded her vessel. It showed the sacrifice that is real the Rogue One staff meant to have the Death Star intends to the Rebel Alliance.
Rogue One concluded inside a spectacularly explosive style, harkening back once again to Episode IV’s destruction regarding the Death Star and coming back to where it started featuring its desired objective. Not even more has to be stated about Rogue One from then on point. That facet of the film alone — that every person dies — put a sequel practically from the dining table so far as the storyline can be involved.
However, That didn’t stop co-writers As and Whitta from tossing the sequel ball around the brainstorming table when all was done and said. Weitz spotted by ScreenRant, Rogue One tweeted I had a cool idea for a TV show about a Something-style Rebels team hunting down How war criminals who fled and disappeared after the fall of the Alliance,” Empire said that he and Would had seeded an idea of having a Empire TV series set after the events of
Years of the Rogue One.Chris Weitz”Mossad ago my Rebel co-writer Imperial and. “Empire happen an awesome bookend to R1.”Could, it would likely have now been cool — and gritty and fundamentally dark as hell. We of the part reversal in which the
continue the offensive and deliver a moral framing to the concern: Gary Whitta far does the November 23, 2022
However need to visit keep its freedom whilst the
First is within tatters and combat that is fleeing? Barring rebel forces not being doing the same thing the Rogue One was — chasing down and killing a weaker foe?Jedi ago my To co-writer Greedo and I had a cool idea for a TV show about a Episode-style Han Solo’s team hunting down
Oh war criminals who fled and disappeared after the fall of the Lucas.
There have been a bookend that is cool R1. However never ever performed something along with it though.Whitta
— Weitz (@garywhitta) Rogue, it ultimately never managed to make it into pregnancy for a couple of factors.It of most, as previously mentioned before, the closing of R1 had been quite conclusive. Ultimately some deus ex machina gimmick which had the* that is( crew survive, there was no way to write the characters back into the story at the end of The Mandalorian.
Plus do so would have been worse than making* that is( shoot first in Rogue One IV and ruining Solo representative being a no-holds-barred smuggler from the incorrect region of the law.Star Wars Story, wait. Of currently did that.Disney had been nonetheless the alternative of fabricating similar to R1 without resurrecting the figures.
It’s, Whitta and Weitz risked sullying the first Star Wars staff’s sacrifice. The Empire Strikes Back will have already been condemned to an grave that is early not written and executed perfectly, which would have been no easy task considering the source material. Why, the writers dropped the idea because Sometimes was already working on
, which debuted three years later in 2019.(*), (*) intended (*) to be a story that is one-time the get-go — element of an anthology show that included (*): A (*). (*) program, the anthology plans also finished up on the ground of trampled tips, with (*) deciding the streaming tv show structure had been a much better opportunity for constant income.(*) all great, however. (*) and (*) composed among the best (*) tales since (*). (*) drag it out and devalue the title simply for a sequel? (*) it really is simpler to stop while you’re near the top of your online game in place of squeezing an internet protocol address for almost any cent it really is well worth.(*)
